Max Dupain
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Maxwell Spencer Dupain AC OBE (22 April 191127 July 1992) was an Australian
modernist Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, an ...
photographer.


Early life

Dupain received his first camera as a gift in 1924, spurring his interest in
photography Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed ...
. He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in
Sydney Sydney ( ) is the capital city of the state of New South Wales, and the most populous city in both Australia and Oceania. Located on Australia's east coast, the metropolis surrounds Sydney Harbour and extends about towards the Blue Mountain ...
.


Career


Early years

By 1934 Max Dupain had struck out on his own and opened a studio in Bond Street,
Sydney Sydney ( ) is the capital city of the state of New South Wales, and the most populous city in both Australia and Oceania. Located on Australia's east coast, the metropolis surrounds Sydney Harbour and extends about towards the Blue Mountain ...
. In 1937, while on the south coast of New South Wales, he photographed the head and shoulders of an English friend, Harold Salvage, lying on the sand at
Culburra Beach Culburra Beach, commonly referred to as Culburra, is a town located in the South Coast region of New South Wales, Australia. Located within the Shoalhaven local government area, the town is east-southeast of Nowra on Jerrinja Wandi Wandian Abo ...
. But it was not until the 1970s that the photograph began to receive wide recognition. A print of the photograph was purchased in 1976 by the
National Gallery of Australia The National Gallery of Australia (NGA), formerly the Australian National Gallery, is the national art museum of Australia as well as one of the largest art museums in Australia, holding more than 166,000 works of art. Located in Canberra in th ...
in
Canberra Canberra ( ) is the capital city of Australia. Founded following the federation of the colonies of Australia as the seat of government for the new nation, it is Australia's largest inland city and the eighth-largest city overall. The ci ...
and by the 1990s it had cemented its place as an iconic image of Australia. An early vintage print of the original version of the Sunbaker is contained in an album of photographs donated to the State Library of New South Wales by Dupain's friend, the architect Chris Vandyke.


Later years

During
World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ...
Dupain served with the
Royal Australian Air Force "Through Adversity to the Stars" , colours = , colours_label = , march = , mascot = , anniversaries = RAAF Anniversary Commemoration ...
in both Darwin and
Papua New Guinea Papua New Guinea (abbreviated PNG; , ; tpi, Papua Niugini; ho, Papua Niu Gini), officially the Independent State of Papua New Guinea ( tpi, Independen Stet bilong Papua Niugini; ho, Independen Stet bilong Papua Niu Gini), is a country i ...
helping to create
camouflage Camouflage is the use of any combination of materials, coloration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else. Examples include the leopard's spotted coat, the ...
. The war affected Dupain and his photography, by creating in him a greater awareness of truth in documentary. In 1947, these feelings were reinforced when he read a book ''Grierson on Documentary'' which defined the need for photography without pretence. The catchcry was "the creative treatment of actuality". Dupain was keen to restart the studio with this new perspective and abandon what he called the "cosmetic lie of fashion photography or advertising illustration". Refusing to return to the "cosmetic lie" of advertising, Dupain said:
''"Modern photography must do more than entertain, it must incite thought and by its clear statements of actuality, cultivate a sympathetic understanding of men and women and the life they live and create."''
Dupain's documentary work of this period is exemplified in his photograph "Meat Queue". He used a more naturalistic style of photography, "capturing a moment of everyday interaction ather thanattempting any social comment". Dupain also worked extensively for the
University of New South Wales The University of New South Wales (UNSW), also known as UNSW Sydney, is a public research university based in Sydney, New South Wales, Australia. It is one of the founding members of Group of Eight, a coalition of Australian research-intensive ...
and
CSR Limited CSR may refer to: Biology * Central serous retinopathy, a visual impairment * Cheyne–Stokes respiration, an abnormal respiration pattern * Child sex ratio, ratio between female and male births * Class switch recombination, a process that chan ...
and made many trips to the interior and coast of northern Australia. However, apart from his war service he rarely left Australia, the first time not until 1978, when he was 67, and even then it was to photograph the new Australian Embassy in Paris, designed by his longtime friend and associate
Harry Seidler Harry Seidler (25 June 19239 March 2006) was an Austrian-born Australian architect who is considered to be one of the leading exponents of Modernism's methodology in Australia and the first architect to fully express the principles of the Bauh ...
. He wrote, "I find that my whole life, if it is going to be of any consequence in photography, has to be devoted to that place where I have been born, reared and worked, thought, philosophised and made pictures to the best of my ability. And that's all I need". In the 1950s the advent of the new consumerism meant that there was plenty of promotional photography for advertising and he attracted clients from magazines, advertising agencies and industrial firms. In between this he devoted time to pursue his love of architecture, and began architectural photography, which he continued most of his life. The
State Library of New South Wales The State Library of New South Wales, part of which is known as the Mitchell Library, is a large heritage-listed special collections, reference and research library open to the public and is one of the oldest libraries in Australia. Establish ...
holds the most significant archive of Max Dupain's work. In June 2016 it was announced that the State Library now holds the entire photographic collection of Max Dupain (1911–1992). This now adds the Max Dupain Exhibition Archive of 28,000 negatives including the Sunbaker and Bondi, 1939, as well as lesser-known photographs such as his fantastic record of Penrith in Sydney's west in 1948. These images join existing collections of Dupain's commercial and architectural photography, studio portraits, and his record of the Ballet Russes. Max Dupain's began using
Linhof Linhof is a German company, founded in Munich in 1887 by Valentin Linhof. The company is well known for making premium rollfilm and large format film cameras. Linhof initially focused on making camera shutters and developing the first leaf shu ...
Technica 4x5 camera in 1959 and it quickly became his 'go to' camera for architectural photography until the 1980s, including his well known documentary photography of the Sydney Opera House and workers during its construction from 1959-1973. This camera is now a part of Sydney
Powerhouse Museum The Powerhouse Museum is the major branch of the Museum of Applied Arts & Sciences (MAAS) in Sydney, the others being the historic Sydney Observatory at Observatory Park, Sydney, Observatory Hill, and the newer Museums Discovery Centre at Castle ...
collection. Dupain continued working until his death in 1992.


Personal life

In 1939, after the outbreak of
World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ...
, Dupain married
Olive Cotton Olive Cotton (11 July 191127 September 2003) was a pioneering Australian modernist photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book ...
(also a photographer) but they divorced soon after. A decade later, Dupain married Diana Illingworth and subsequently they had a daughter Danina and a son Rex, who also became a photographer.


Honours

Dupain was appointed an
Officer of the Order of the British Empire The Most Excellent Order of the British Empire is a British order of chivalry, rewarding contributions to the arts and sciences, work with charitable and welfare organisations, and public service outside the civil service. It was established o ...
(OBE) in the
1982 New Year Honours The New Year Honours 1982 were appointments by most of the Commonwealth realms of Queen Elizabeth II to various orders and honours to reward and highlight good works by citizens of those countries, and honorary ones to citizens of other countries ...
list. He was made a
Companion of the Order of Australia The Order of Australia is an honour that recognises Australian citizens and other persons for outstanding achievement and service. It was established on 14 February 1975 by Elizabeth II, Queen of Australia, on the advice of the Australian Gove ...
(AC) in the Australia Day Honours 1992.It's an Honour: AC
Retrieved 7 April 2020


References


Max Dupain Archival Collections

* Max Dupain and Associates records and negative archive, taken before 30 July 1998, approximately 155,000 Negatives, including transparencies in 973 boxes, held by the State Library of New South Wale
PXA 2155 PXE 1679
*Max Dupain Exhibition Negative Archive of film and glass plate negatives, 29024 negatives, 2150 photographic prints, and some textual material, ca 1920–1992, held by the State Library of New South Wale
1037031
* Max Dupain archive of photographs and photo negatives (Series 2), State Library of New South Wale
414306
* Max Dupain, collection of photographs of Sydney and Manly, ca. 1938–1949, 1970 and 1988, State Library of New South Wale
PXD 965/1-20
* Collection of photographs from the studio of Max Dupain and Associates, 1947–1968, State Library of New South Wales
PXD 720
* Architectural photographs by Max Dupain, 1939–1988, State Library of New South Wale
PXD 1013
* Camping trips on Culburra Beach, N.S.W., 1937, State Library of New South Wale
PXA 1951
*Papers of Max Dupain, 1937
Art Gallery of New South Wales Library
access-date=10 November 2021


Bibliography

For a full list, se

*''Max Dupain’s Australian Landscapes'', Mead and Beckett, Australia, 1988. *''Fine Houses of Sydney'', Irving Robert; Kinstler John; Dupain Max, Methuen, Sydney, 1982. *''Max Dupain Photographs'' published by Ure Smith, Sydney, 1948.


External links


"Sunbaker" page at National Gallery of Australia site

Max Dupain exhibition photography site

National Library of Australia, Canberra (Max Dupain's Life & Career 1929-1992)
{{DEFAULTSORT:Dupain, Max Australian photographers 20th-century Australian photographers Architectural photographers 1911 births 1992 deaths Companions of the Order of Australia Australian Officers of the Order of the British Empire People educated at Sydney Grammar School National Art School alumni